domingo, 20 de mayo de 2018

A practice for developing kindness toward yourself by Valerie Mason-John

A Practice for Developing Kindness toward Yourself

BY VALERIE MASON-JOHN

Valerie Mason-John

Valerie Mason-John, author of Detox Your Heart: Meditations for Emotional Healing, shares a meditation for cultivating a positive relationship with yourself, and, by extension, the world.

Hand over heart.
PHOTO BY ANH PHAN.
When we take positive action and respond creatively to our anger, we are taking good care of ourselves. Taking care of our hearts, minds, and bodies is taking positive action. Learning to be kind and loving toward ourselves is a challenge. It is also part of the lifelong practice of working with our anger.
There is a meditation called the metta bhavana, which has its origins in the Buddhist tradition. Metta means loving-kindness, and bhavana means to develop. This meditation teaches us to be kind and gentle by cultivating a positive relationship with ourselves and the rest of the world. Loving-kindness can be the beginning of compassion for ourselves and the way to end anger in our hearts and minds. It is what I have used to begin releasing the toxins of anger, hatred, and fear from my heart. It has been the alchemy in my life.
The first stage of this meditation turned my life around. It was here that I faced the question, “If I can’t feel love for myself, how can I feel healthy love for others?
Below are instructions for this first stage of the meditation. I hope you find it as revolutionary, over time, as I did.

Developing Kindness toward Yourself — A Metta Practice

  • Close your eyes, grounding yourself on your seat. Make sure you are fully supported and your feet are placed firmly on the ground.
  • Become aware of the breath permeating your body. Imagine it to be a spray clearing the toxins from your heart.
  • After a minute try to visualize looking back at yourself, or see yourself in a beautiful place that you enjoy. Or just silently call your name. Remember to breathe.
  • After another minute say to yourself, “May I be happy,” then breathe and acknowledge how this feels. Then say, “May I be well,” then breathe and acknowledge how this feels. Then say, “May I be kind toward my suffering,” then breathe.
  • Allow yourself to sit in stillness with whatever arises. After a few minutes say, “May I cultivate more kindness within my heart. May I cultivate more peace within my heart. May I continue to develop and grow.”
  • Continue to recite these phrases, leaving a minute or two between each, staying connected with yourself all the time.
  • After ten minutes bring the practice to an end.
If you practice this weekly it will begin to transform your heart. If you  do it daily it will bring about positive change in your life.
If our hearts are full of love and kindness for ourselves, there is little room for anger. Such mental states might arise, but love is the cleansing water that puts out the flames of anger.
Reproduced from Valerie Mason-John's book, Detox Your Heart: Meditations for Emotional Healing, with permission of Wisdom Publications.

jueves, 17 de mayo de 2018

Paseo de primavera en la laguna de Rivas





   

                         
En el parque del Sureste la laguna del Campillo permite hacer un recorrido circular observando la vegetación y la fauna de la zona. Vimos cigüeñas, patos, milanos, una grulla, una pareja de fochas con sus crías detrás...

Muy cerca un puente sobre el río Jarama que gracias a las recientes lluvias bajaba muy crecido.



lunes, 14 de mayo de 2018

Macbeth The Royal Opera House by Antonio Pappano












Las retransmisiones de óperas para que un público más amplio pueda acceder a ellas en la pantalla de un cine nos han permitido contemplar el montaje de la directora Phyllida Lloyd y la dirección Musial de Antonio Pappano. Las tres brujas del original de Shakespeare se convierten en la opera de Verdi en un coro completo y la puesta en escena es brillante y original. 

miércoles, 2 de mayo de 2018

The only emotions worth having. Ayya Khema

Ayya Khema on cultivating loving-kindness, compassion, sympathetic joy, and equanimity — "the only emotions worth having."

heart-illo
ARTWORK BY STEVE MUELLER.
"True love exists when the heart is so broadly trained that it can embrace all human beings and all living creatures."
When we think of love, we have ideas that are purely personal and, on the whole, quite fanciful. They are based in general on our desire to be loved, from which we expect fulfillment.
In reality love fulfills only the one who loves. If we understand love as a quality of the heart, just as intelligence is a quality of the mind, then we won't deal with love as people customarily do. As a rule, we divide our hearts into different compartments, for lovable, neutral and unlovable people. With that sort of divided heart, there's no way we can feel good. We can be "whole" only with a heart united in love.
Every moment we spend on the training of our hearts is valuable and brings us a step further along the path of purification.
True love exists when the heart is so broadly trained that it can embrace all human beings and all living creatures. This requires a learning process that is sometimes hard, above all when someone turns out to be very unfriendly or unpleasant. But this condition can be reached by everyone, because we all have the capacity for love within us.
Every moment we spend on the training of our hearts is valuable and brings us a step further along the path of purification. The more often we remember that all our heart has to do is love, the easier it will be to distance ourselves from judgments and condemnations. But that doesn't mean we can no longer distinguish between good and evil. Naturally we know what is evil, but hatred of evil needn't forever be stirring in our heart. On the contrary, we have compassion for those who act in a way that does harm.
Most of our problems are concerned with interpersonal relations. To address these, we can direct our view to the teachings on the four highest emotions. These are called in Pali the brahmaviharas; or four divine abodes. They are loving-kindness, compassion, sympathetic joy and equanimity.
If we had only these four emotions at our disposal, we would have paradise on earth. Unfortunately that's not how it is, and so we rarely experience any paradisiacal feelings. Most of the time we torment ourselves with difficulties in the family, in our circle of friends, and on the job. Our mind constantly tells us about all the things that don't suit it; and it usually fingers the guilty party, the person who's bothering us, who doesn't want things the way we want them. But let's remember: whenever somebody else says or does something, it's a matter of his or her karma alone. Only a negative reaction on our side creates our own karma.
This is what we absolutely have to understand: who is doing the loving—myself or the other? If I myself love, then I have a certain purity of heart. But if the love is dependent on this or that person or situation, then I'm passing judgment and dividing people into those I think lovable and those I don't. We're all looking for an ideal world, but it can exist only in our own heart, and for this we have to develop our heart's capacity so that we learn to love independently. This means that we increasingly purify our heart, free it from negativity, and fill it with more and more love. The more love a heart contains, the more love it can pour out. The one and only thing that holds us back is our thinking, judging mind.
We're all looking for an ideal world, but it can exist only in our own heart, and for this we have to develop our heart's capacity so that we learn to love independently.
So the only thing that matters is to incline one's own heart to love, because the person who loves is by nature lovable too. Yet if we love only because we want to be endearing, we succumb to the error of expecting results for our efforts. If an action is worth doing, then it doesn't lose this value, whether we get results or not. We don't love as a favor to another or to get something. We love for the sake of love, and so we succeed in filling our hearts with love. And the fuller it gets, the less room there is for negatives.
The Buddha recommended looking upon all people as one's own children. Loving all men and women as if one were their mother is a high ideal. But every little step toward this goal helps us to purify our hearts. The Buddha also explained that it was quite possible that we already were mothers to all the many men and women. If we keep this fact before our eyes, it'll be much easier to get along with people, even those who don't strike us as lovable.
If we observe ourselves very carefully—and that's the point of mindfulness—we will find that we ourselves are not one hundred percent lovable. We will also observe that we find more people unlovable than otherwise. That too can bring no happiness. So we should try to turn this around, and find more and more people lovable. We have to act like every mother: she loves her children even though they sometimes behave very badly. We can make this sort of approach our goal and recognize it as our way of practice.
The Buddha called this kind of love metta, which is not identical to what we call love. "Craving" in Pali is lobha, which sounds rather like the English word for love; and because the entire world revolves around wanting-to-have, we also interpret love this way. But that's not love, because love is the will to give. Wanting to have is absurd, when we think of love and yet degrade it to this level. Although a loving heart without wishes and limits opens up the world in its purity and beauty, we have made little or no use of this inherent capacity.
The far enemy of love is obviously hatred. The near enemy of love is clinging. Clinging means that we're not standing on our own two feet and giving love; we're holding on to someone. It often happens that the person we cling to doesn't find it especially pleasant and would be glad to get rid of this clinger, because he or she can be a burden. And then comes the great surprise that the love affair isn't working—but we clung so devotedly! Clinging is thus called the near enemy, because it looks like real love. The big difference between the two is the possessiveness that marks clinging.
When no one is there to whom we can give love, that doesn't in the least mean that no love exists. The love that fills one's own heart is the foundation of self-confidence and security, which helps us not to be afraid of anyone.
Such possessiveness proves, time and time again, to be the end of love. True, pure love, so famed in song and story, means that we can pass it on and give it away from the heart without evaluation. Here we have to be on the lookout to recognize the negativity within us. We're always searching for its causes outside ourselves, but they're not there. They always lie in our gut and darken our heart. So the point is: Recognize, don't blame, change! We must keep replacing the negative with the positive. When no one is there to whom we can give love, that doesn't in the least mean that no love exists. The love that fills one's own heart is the foundation of self-confidence and security, which helps us not to be afraid of anyone. This fear can be traced back to our not being sure of our own reactions.
If we meet someone who has no good feelings to bring our way, then we already fear a corresponding reaction on our side, and so we prefer to avoid such situations in advance. But if the heart is full of love, then nothing will happen to us, because we know that our reaction will be completely loving. Anxiety becomes unnecessary when we've realized that everyone is the creator of his or her own karma. This feeling of love, which is aimed not at only one person, but forms a basis for our whole interior life, is an important aid in meditation, because only through it is real devotion possible.
The second of the four divine abodes—the highest emotions—is compassion, whose far enemy is cruelty and whose near enemy is pity. Pity can't give others any help. If someone pours out her heart to us and we pity her, then two people are suffering instead of one. If by contrast we give her our compassion, we help her through her trouble.
It's very important to develop compassion for oneself, because it's the precondition for being able to do so for others. If someone doesn't meet us lovingly, it will be easier for us to give this person compassion instead of love. It's easier because now we know that this person who comes to meet us unlovingly is angry or enraged, is most definitely unhappy. If she were happy, she wouldn't be angry or enraged. Knowing about the other's unhappiness makes it easier for us to summon up compassion, especially when we've already done so with respect to our own unhappiness.
Unfortunately we often deal with our own suffering in the wrong way. Instead of acknowledging it and meeting ourselves with compassion, we try to escape our trouble as quickly as possible by developing self-pity or getting distracted or making someone else responsible for it.
Here compassion is the only possibility for meeting our difficulties. We experience exactly what the Buddha teaches: in this world suffering exists. That's the first Noble Truth. Then we can try to acknowledge what we really want to have or get rid of, and thus make suffering our teacher. There is no better one, and the more we listen to it and find a way into what it's trying to make us understand, the easier the spiritual path will prove. This path aims to change us so emphatically that in the end we may not even recognize ourselves.
Suffering is a part of our existence, and only when we accept that and stop running away from it, when we've learned that suffering belongs to life, can we let go—and then the suffering stops. With this knowledge it's much easier to develop compassion for others, for suffering strikes everyone, without exception. Even the so-called badness of others can't bother us, because it only arises out of ignorance and suffering. All the evil in this world is based on these two things.
The third of the four highest emotions is sympathetic joy, whose far enemy is envy, consisting of greed and hatred. The near enemy is hypocrisy, pretending to oneself and others, which we believe is sometimes necessary. We think: these are just little white lies that can readily be forgiven.
Sympathetic joy is rightly understood when we see that there's no difference between people, that we're all a part of whatever is momentarily existing in the world. So if one of these parts experiences joy, then its joy has come into the world and we all have reason to share in it. The universal will replace the individual when we have experienced and tasted it in meditation. Our problems won't let up as long as we try to support and secure the "me." Only when we begin to put the universal over the individual and to see our purification as more important than the wish to have and get, will we find peace in our hearts.
The Buddha called the fourth and last of these emotions the greatest jewel of all: equanimity. It's the seventh factor of enlightenment, and its far enemy is excitement. The near enemy is indifference, which is based on intentional unconcern. By nature we take an interest in everything. We would like to see, hear, taste and experience everything. But since we have often been disappointed by our incapacity to love, we build an armor of indifference around us, to protect us from further disappointment.
But that only protects us from loving and opening ourselves to the world of love and compassion. What clearly distinguishes equanimity from indifference is love, for in equanimity love is brought to a higher development, while in indifference love is not felt at all or cannot be shown. Equanimity means that we already have enough insight so that nothing seems worth getting worked up over anymore.
How did we reach this understanding? We've learned that everything—above all ourselves—comes into being and then passes away. When we get too excited, instead of recognizing the fullness of life, we don't yet have a loving heart. Only a loving heart can realize the fullness of existence. The understanding we get through meditation clearly shows us that the end of this life is constantly before us. Teresa of Avila said: "Not so much thinking—more loving!" Where does thinking get us? To be sure, it landed us on the moon. But if we have developed love in our hearts, we can accept men and women with all their problems and peculiarities. Then we'll have built up a world where happiness, harmony, and peace are in control. This world can't be thought up; it must be felt. Only meditation can present us with this ideal world, in which it is absolutely necessary to give up thinking. This heals us and gives us the capacity to turn more to our heart.
Loving-kindness, compassion, sympathetic joy, and equanimity are the four highest emotions, the only ones worth having.
Since equanimity is a factor of enlightenment, it is based on understanding, above all on the realization that everything that takes place also passes away again. So what do I lose? The worst that can happen is the loss of my life. But I'll lose that in any event—so what's all the excitement about? In general, the people who cause problems for us don't exactly want to kill us. They just want to confirm their ego. But that's not our business; it's wholly and entirely theirs. So long as we meditate and win new insights, it will always be simpler to recognize that all desire for self-affirmation, all aggression, all claims for power, all wanting to have and be are intertwined with conflict. So we have to keep trying to let go of willing and wishing, in order to return to equanimity. You can't meditate at all without equanimity. If we are excited or absolutely want to get or get rid of something, we can't come to rest. Equanimity makes both everyday life and meditation easier.
That doesn't mean that conscience should simply be set aside. We need only understand that this judge in our own heart creates nothing but conflict. If we really want to have peace, then we have to strive to develop love and compassion in our heart. Everyone can achieve this, because ultimately the heart is there to love, as the mind is there to think. If we renounce thinking in meditation, then we sense a feeling of purity. We develop purity on the spiritual path. If only one person develops it in himself or herself, the whole world will be the better for it. And the more people purify their hearts, the greater the gain for everyone. We can do this work every day from morning to night, because we are constantly confronted with ourselves—with all our reactions and with the mulishness that keeps us busy, because it has such a solid hold on our inner life. The more observant we are, the easier we'll find it to let go, until the stubbornness has disappeared, and we've become peaceful and happy.
This work compensates us with great profit and with a security that can be found nowhere else. At bottom we all know about the factors that make up the spiritual life, but acting in accordance with them is very hard. Loving-kindness, compassion, sympathetic joy, and equanimity are the four highest emotions, the only ones worth having. They bring us to a level on which life gains breadth, greatness, and beauty and on which we stop trying to make it run the way we want it to—on which we even learn to love something that we may not have wanted at all.
The Buddha spoke about a love that knows no distinctions. It's simply the quality of the heart. If we have it, we'll find a completely new path in life.
From Visible Here and Now: The Buddha's Teachings on the Rewards of Spiritual Practice, by Ayya Khema. Published by Shambhala Publications. Translated by Peter Heinegg; edited by Leigh Brasington.

sábado, 28 de abril de 2018

Los dibujos de Carlos Saura en Gabinete 2018 Madrid.


                                                    Javier de Juan


Carlos Saura


Carlos Saura


                                                                    Carlos Saura 


Entre dibujos y grabados de grandes artistas como Rembrandt o Zuloaga, los dibujos de Javier de Juan o los del director de cine y fotógrafo Carlos Saura. 

A los 86 años se califica con ironía de artista emergente y explica cómo colorea a veces las fotos que no terminan de convencerle... 
Una feria deslumbrante. 





Carlos Saura

domingo, 15 de abril de 2018

Entre artistas. Fotos de talleres y retratos de artistas. J.M.del Moral

Gracias a la mirada de un fotógrafo (que ama el cine, la literatura y la pintura y que es hijo de exiliados españoles en Francia) podemos entrar en la intimidad del taller de más de cincuenta artistas de la segunda mitad del siglo XX, la mayoría españoles aunque también norteamericanos.

La visita del estudio de Joan Miró en Mallorca le abrió a la idea del taller como espacio mental del artista y  le impresionó tanto que desde entonces ha tratado de retratar a escultores y pintores: Antonio Saura, Miguel Barceló, Eduardo Chillida, Fernando Botero,  Antonio López, Eduardo Arroyo, Rafael Canogar, Baltasar Lobo,  Robert Motherwell, Alex Katz, Roy Litchtestein y muchos otros  más, todos ellos en ese espacio de trabajo que es "lugar de las metamorfosis. Allí se día, se acierta, se falla. Es una metáfora de la vida"

Esa fascinación por  retrato del artista y de su lugar de creación hace posible esta exposición en Madrid en la que aparece una selección de fotografías de estos espacios privados a los que el fotógrafo ha podido acceder, en muchos casos gracias a sus amistades comunes.

Próximamente se publicará un libro inédito, Conversaciones con Jean Marie Del Moral, de Pere Antoni Pons en la editorial  Ensiola.



                                               Estudio de Alex Katz





                                                   Retrato de Miquel Barceló




Joan Miró en su estudio 

 

   
Alex Katz


                             
                                                              Fernando Botero



domingo, 8 de abril de 2018

La tormenta de Shakespeare, contada por Margaret Atwood. Hag seed. The Tempest retold.












Margaret Atwood ha aceptado el reto de la editorial Hogarth (creada por Virginia Woolf y su marido Leonard) para volvernos a contar como sería la última obra de Shakespeare, La Tempestad, en forma de novela y en una pequeña ciudad canadiense en nuestros días.

 Esto permite a la autora expresar sin disimulo sus opiniones sobre la relación, siempre problemática,  entre los políticos y la cultura y sobre el potencial de la literatura para salvarnos de nuestras personales prisiones. 

La acción se desarrolla  en una cárcel donde un grupo de presos participan en un programa educativo que se basa en el teatro. 

Su director, Félix,  se parece mucho al protagonista de la obra que van a interpretar sus alumnos. Ha perdido, como Próspero,  a su mujer y se ha visto arrojado de su particular reino, el de carismático director teatral por las intrigas de uno de sus más cercanos colaboradores. 

 Este último  aprovecha sus conexiones con las políticos para librarse de él, quitarle su puesto y seguir escalando hasta las más altas responsabilidades. 
El duelo de Félix por su pequeña hija Miranda se prolonga durante los siguientes doce años y se suma al odio y el deseo de venganza contra los que le han quitado un trabajo que era todo para él.   

La magia del teatro le hará verse cara a cara con sus enemigos que quieren asistir a la representación sin saber que Félix es quien la está dirigiendo ya que aunque la persona que le entrevistó para su actual trabajo, Estelle, le reconoce cuando le da un nombre falso, le sigue el juego y le ayuda a conseguir sus fines. 

Consigue igualmente la colaboración de uno de los presos, que interpreta a Ariel,  que es un experto en tecnología informática. 

 Gracias a él diseñan un montaje a través del cual  chantajea  a los políticos y asegura la continuidad del programa educativo, que ellos querían eliminar y puede recuperar su antiguo trabajo. 

Desaparece entonces su obsesión por el espíritu de su hija perdida a la que creía ver en ocasiones y empieza a recuperar su vida siguiendo a una "estrella auspiciosa" en forma de su aliada Estelle que le propone descansar en un crucero en el que dará charlas sobre su experiencia como director de teatro. 
Acepta siempre que le acompañe su otro fiel colaborador, que gracias a él ha salido antes de lo previsto en libertad condicional. 










Helen Mirren como protagonista de la película sobre La Tempestad, haciendo el papel de Próspera.







 Illustration by Nick Higgins