domingo, 29 de junio de 2025

'Los empeños de una casa' de la Compañía Nacional de Teatro de México



Un estreno en Madrid, con tres representaciones en el Teatro del Canal, seguidas por otras en Alcalá de Henares en el teatro Cervantes y en el Teatro Auditorio de San Lorenzo del Escorial, en Olmedo...

Pudimos disfrutar de una obra clásica de Sor Juana Inés de la Cruz (que escribió para festejar el nacimiento del primogénito de la entonces Virreina de Nueva España, María Luisa Manrique que cuando regresó a España hizo publicar la obra) gracias a lo cual hoy podemos asistir a esta actuación 

Una verdadera fiesta barroca, con música en directo, y en la que se representan boleros y sonetos y romances de la autora en las tres jornadas de la comedia. 

Los temas musicales se convierten en un karaoke en el que los actores animan al público a cantar con ellos temas populares muy conocidos   como "Esta tarde vi llover", "Quizás, quizás, quizás" "Historia de un amor" o "Piel canela"

La escenografía es muy original y los músicos y actores entran y salen con agilidad  de un gran artilugio redondo en el que abren y cierran puertas de la casa de Doña Ana y su hermano. 

Las actuaciones de todo el elenco convirtieron el estreno en algo divertido, transgresor y lleno de vida y de alegría aunque muestre el encierro de las mujeres y el miedo a la crítica social de todos ellos. 

jueves, 26 de junio de 2025

Let your mind move. Francis Sanzano




When we let our bodies do what they were was designed to do — process stimuli — they become whole. Some modern Buddhist practice has not just made an enemy of stimuli, talking about it in the same breath of distraction, but has often lost sight of the intelligence of the body. This is likely due to the distracting nature of the prominent stimuli of our time made up of screens, pings, and notifications. We don’t necessarily need less of stimuli, but instead a higher quality of it.

The original stimuli of our sense organs was the wild world, so we could consider nature a higher quality source. Higher quality doesn’t mean better in absolute terms, but more expeditious for the task. Skillful means, we could say — for the same reason monks for thousands of years value silence when meditating. Silence is skillful.

The obvious question is: What, exactly, can we learn from the body? But really the question should be: How can the body help us unlearn? Buddhist practice can be considered subtractive rather than additive. The intelligence of the body isn’t leveraged for another intelligence. Rather, it is autotelic, from the Greek: “having an end in itself,” to which I’m reminded of one of my favorite quotes by Shunryu Suzuki Roshi: “We do not exist for the sake of something else.” In other words, all forms of mind exist for their own sake when they are present and awake in their environment. The ear, to hear. Skin, to touch. Ear-mind. Skin-mind.

Birdsong, wind (perhaps in the whistle of a coke bottle), and the sound of water are privileged pathways into our bodies. So are the blue-greens hues of nature. We can receive these stimuli deeper than others and move toward them as an animal to safety. Study after study proves nature is good for our mental health and well-being, but we shouldn’t leverage the wild only to buttress our mental health. To be with the wild can be enough. Body practice trains our senses, breathes life into them, and allows mind to enter them.

When your senses awaken, a strange thing happens — joy appears. This joy is not always born because something is beautiful or harmonious, as our senses were also developed to locate the noxious or detect a predator. Rather, joy can be the proverbial fruit of being awake. “Even when the Tathāgata eats the coarsest food, it tastes better than any celestial ambrosia,” reads the Mahāratnakūta Sutra. When it all turns into ambrosia, it’s miraculous, but also mundane. Basic. Archaic.

That day, on the edge of Stagecoach Reservoir, I unlearned something. A body can go about creating the world, achieving this and that, making music, but it also has the ability to be played, to become a musical instrument. We become the Coke bottle. The music being played might be discordant at first, but in time, as with sitting practice, ambrosia emerges.

domingo, 22 de junio de 2025

El teatro de La Abadía presenta 'Los yugoslavos' de Juan Mayorga


Dice Juan Mayorga, director del Teatro de la Abadía, sobre Los Yugoslavos:

"Creo que los yugoslavos es un cuento sobre el amor, sobre el poder de l palabra, sobre el poder del silencio, sobre la búsqueda de un sitio donde vivir y sobre lugares que ya no existen, pero siguen arrojando sombras (en todas las vidas hay lugares así: una casa, un rincón de la ciudad, un paraje...También en la vida los hay, espectador, y los hay en tus sueños.

Lo traen a escenarios actores formidables:  Luis Bermejo, Javier Gutierrez, Natalia Hernández y Alba Planas. Acompañarlos ha sido, en cada ensayo, un privilegio y un placer. Juntos te ofrecemos Los yugoslavos, un cuento sobre cuatro seres humanos, que intercambian palabras, silencios y mapas. "

El amor, la tristeza y la esperanza son el núcleo temático. La esperanza en la palabra, que puede destruir pero también salvar. Puede dar sentido...


viernes, 20 de junio de 2025

La buena suerte. Gracia Querejeta y Rosa Montero



Unos actores en estado de gracia y un guión basado en el libro del mismo título de la escritora Rosa Montero. 

Es un thriller con un punto oscuro y otro luminoso que no acabamos de entender hasta casi el final porque el misterio y el dolor  que acompañan al protagonista son tan terribles  que suele mentir cuando le preguntan por qué ha abandonado su ciudad y su trabajo para esconderse en un pueblo perdido. 

Rosa Montero en una entrevista sobre su libro contaba que a veces "la familia es un infierno"y éste sería un buen ejemplo de eso y de dos maneras diferentes de salir adelante. 


viernes, 13 de junio de 2025

Javier de Juan: pintar Madriz, pintar el mundo


Entrevista previa a la exposición en el Cuartel del Conde Duque. Ahora dentro de las actividades del Museo de Artes Decorativas hay otra muestra del trabajo de este pintor que no nació en Madrid pero que retrata la vida de esta ciudad desde los años 70 y 80 hasta ahora...

martes, 10 de junio de 2025

How to free yourself of the seven obsessions, Valerie Mason Jones

How to Free Yourself from the 7 Obsessions

To free ourselves from habitual patterns, says Valerie Mason-John, we need to see how they have become part of our identity.

VALERIE MASON-JOHN
8 MAY 2025


Watch your thoughts; they become habits.
Watch your habits; they become stories.
Watch your stories; they become excuses.
Watch your excuses; they become relapses.
Watch your relapses; they become dis-eases.
Watch your dis-eases; they become vicious cycles.
Watch your vicious cycles; they become your wheel of life.

We meditate to uproot what the Buddhist teachings call samskaras. These are the mental impressions and recollections that have been psychologically imprinted in our minds by early childhood trauma.

We also meditate to loosen what the Buddha called the seven anusayas, which are obsessions or underlying habitual tendencies. If we really want to break deep-rooted habits, every one of us needs to become aware of the obsessions of sensual passion, resistance, views, uncertainty, conceit, ignorance, and the passion of becoming.

Every time we habitually react, the past is present.

Maybe you’ve made a New Year’s resolution again this year, performed rituals, done therapy, or tried plant medicine. But these seven habitual ways of acting out are still dominating your life and causing you misery. Why? Because the anusayas are rooted in ancestral trauma, intergenerational trauma, and epigenetic trauma. They have become part of your identity.

The thoughts that habitually run around in your head are part of your superego: they are giving internal voice to the adults in your past who harmed, hurt, and wounded you. Every time we habitually react, that past is present. It resurfaces.

I used to have a huge reaction if I was waiting for a friend and they were half an hour late. For some of you, someone being half an hour late wouldn’t be a big deal. But once upon a time, waiting for someone put my whole body into a crisis—palpitations, sweats, grinding my teeth. That’s because the memory was still in my body of the six-week-old me who was left somewhere by a mother who never returned. So when someone was late, my body memory was activated and I became deeply distressed.

This habit of reacting was only uprooted when I surrendered the identity of an abandoned six-week-old, and allowed that identity to die, in the painful gap of sadness, rather than habitually turning away from it in my distress. We transcend our habits by allowing a part of our superego to die.

Meditation: Thoughts with No Thinker

Become aware of the body by simply noticing what the body is touching. Notice your clothing and anything else touching the body.

The body produces sensations—it’s what the body does. So become aware of such sensations: heat, tickling, aching, throbbing. itching, pain, and so on. Notice that these sensations are either pleasant, unpleasant, or neutral.

Sensations trigger thoughts, so become aware of thoughts touching the heart–mind. Notice them without identifying with them, without thinking them, and without creating habitual grooves in the brain.

The heart–mind will produce thoughts, because that’s what it does, too. You don’t have to think them. You can be free of stinking thinking and have “thoughts without
a stinker.”

We work with thoughts by inhaling deeply, expanding the breath throughout the body, and then exhaling. Do this several times, and hopefully this will begin to weaken habits.


lunes, 9 de junio de 2025

Sé quien eres , Patricia Ferreira



La primera película que dirigió Patricia Ferreira, recientemente fallecida y autora de indagaciones en nuestro pasado reciente y la Transición, como la serie Las abogadas que TVE emitió hace unos meses o versiones de libros como El Alquimista impaciente. Consiguió a Miguel Angel Solá, después de verlo en escena en la obra de Mark Twain "Adán y Eva", a Roberto Enriquez, Ingrid Rubio, Ana Fernández...

Hay una serie con este mismo nombre, mucho más reciente y también de una extraordinaria calidad y unos actores magníficos aunque la interesante trama se ocupa de otros temas.